Friday, June 20, 2008
billdo
"I have a potty mouth", he says. "Nothing racial or having to do with one's sexuality".
He looks at me and explains, no doubt becuz I am black, that we all share the same colored blood...cut each of us and we all bleed red bla bla bla bla bla.....you know, the standard white overcompensation for having been part and parcell to racial hatred, or the requisite apology for being white and superior and handing out inclusiveness like oranges to slaves. I digress.
He says he just says things, not quite torrets syndrome, but rather a manner of speaking. He'll call you a motherfucker as a term of endearment. He'll call you an asshole like calling a cute kid stinky. He once called a lady sweet pussyhole becuz she offered him a danish. He was thankful to the point of being profuse. He thought he had connected.
So yesterday someone in his building had a visitor named Bill. Our man was introduced to Bill, and later, upon seeing Bill in the courtyard, he blurted out..."Hey Billdo". The man was confused and felt put upon.
Now since our man is not a tennant there and is staying with a friend, he was asked to leave by the building manager. He had been warned several times to curb the way he talked to people. He had also been warned about running around shirtless and leaving peanut shells on the manicured lawn, as well as beer bottles. He had also been asked to move a chair he set in front of the buliding so he could greet anyone with a Led Zepplin tune who passed by or came to visit a tennant.
Come this weekend, our block will be one less heavy. This is sad.I kinda liked the guy. He was genuine...genuinely flawed in several egregious ways, but genuine nonetheless.
The 70 and 80's have passed. The world doesn't reach across the gulf of our lives anymore. The metal bands are gone into middle class memory and responsibility. And the cats who are left standing sing loudly, waiting to be destroyed.Here's to those guys who made the future by chance, not by choice.
One last "Rock On!" Romus Simpson
fretting in the fresh bread
i once wrote in a poem about spain, "silent as the prayer of mice/who worship in the empty dawn kitchen/who fret in the fresh bread and thank god."
last night my homies called to lament over the lakers' loss to the celtics. earlier i had talked to two of my brothers about the same thing. and another friend had called to scream about the game. later my homegirl called to politic and laugh and hoped to see me soon. and i thought of all the people who move through our lives and the days made of moments that propell us on. maybe it's a green light that allows you to float and never break stride or the fruit punch being exact, beautifully cold, and fragrant. anything that allows us to fit easily.
sometimes we are lonely or alone, restless and stationary in the late evening. and through the soundless changes of the city evening the world comes to us. i think of the mice in my poem moving in the early dawn kitchen hoping to survive and finding more than ever hoped for and becoming profuse with praise at the bounty of fresh bread. not the normal crumbs, rinds, and rancid things beneath cabinet ledges, but something so fundamental and affirming as fresh bread. the woman who baked the bread may be upset when she awakes to find the bread nibbled. she believes it belongs to her. but to the mice god used her to help them live, extended bread and the dawn unimpeeded to eat unhurried (if a mouse can do such a thing) and come to worship in the reeds and shadows of the new day.
mice are mice. but i subscribe to the ancient egyptian existentialist philosophy that god became all things. so in turn we live in a divine landscape, within and among the mass representation of god. all things being equal, "i believe above the storm every prayer is heard"...."and i believe that someone (some mouse, according to the mice) in the great somewhere hears every word...."
all this is to say that today i came home in 100 degreeweather. hella hot! and as i exited my car i saw a cat come to the sidewalk and drink from the curb. down the street someone was watering the yard and the runoff reached down the block. the cat drank long and good, eyes closed. i know that thirst from many places. we all do. and even more than all of us, everything does. everything alive that has ever been desperate. welfare mothers with no foodstamps, young fathers paying $4.60 a gallon for gas, parched cats in the fresno summer to trees in a drought going dormant to make it. we all suffer. and we all hope to survive.
this is about the redefinition of what is divine. when cortez came to the americas, he and his men embarked upon a campaign of murder. one indigenous person who lived in what we call current day arizona recalled that, "they threw down our bodies with no respect for our bodies, and no respect for the ground"
Monday, March 3, 2008
charles' death
charles’ death
should have been international news
a pebble in a rich man’s shoe
should have been a channel
dedicated to decay and decadence
should have been a whence of pain
in the president’s step
a stammer in his address
a stalemated interstate
an irregular stutter in neon
a button the meticulous forget
charles’ death should have been a loss of breath
in the collective city
a hem at half mass on sistuh so and so’s dress
a dull ache in the hustler’s chest
the tiny truth preachers profess
it should have been a little mess the custodians
leave in defiance of the oblivious world
should have been an understated caress
from the patient waitress
or the first step of a southerner heading west
charles’ death should have been a
reflective moment in the lives of the careless
wilshire blvd. all its traffic lights red
or a bandana around the homeless man’s head
should have been the first thing the neighbors said
this morning before their coffee and grievances
before they read the newspaper
should have been a cold spot in their beds
or the article of clothing the stripper refused to shed
charles’ death should have been an engine refusing to go
or the violent night some folks will never know
asthmatic rivers unable to flow
wetlands abandoned and low
tugboats in still water
letting ships stand refusing them tow
vacant track houses in a dark row
los angeles traffic heating at dusk
should have been something very very slow
mute moving across the horizon
a carnival closing the show
and the first fall of black snow
in the last winter of our urban memories
Tuesday, February 26, 2008
he was very very upset
he was very very upset
lionlike and hungry
a redwood
threatening to fall
he moved against everything
was hot and indifferent
a rogue planet out of its ellipse
spinning wanting to knock the universe down
as indignant as a river quelled
then hurling houses and cars in the provincial lowlands
his intent was huge
a ration of hurricanes
he was all horrible weather and hell
we tried to calm his body
but it took a world to stop him
he was a mississippi now
lawless arrogant and seeking corpses
his anger was the heaviest humidity
it smothered speech and reason
he had broken instinct
and lost sight of the interim choices
he saw the knife
it made itself pretty
shone starbright among the blunt things
it boasted
stating what it could kill
it romanced him
told him of death work and glory
of rising from the starlit swamp of midnight in stealth
and becoming moon dust
told him of exorcising the heat consuming his flesh
cutting to bone then scraping there
feeling the core of that man splinter
told him of letting breath go with each strike
then falling back into his senses
the knife offered him sweet delirium
it offered relief
revenge and rhetoric
it lured him to handle it slow
and kiss its sharp luminescent watery edge
i begged him
said
“man, he’ll get his
catch him someday when atrocities
and the calling voices that chant in madness
no longer tour the night gathering corpses”
i said
“move into light brotha
with the country seeking to kill you
the city denying you work
every billboard defaming you
you brotha
from a lifetime of disappearing brothas
from the tumult of blue addiction
from the indecipherable messages
of stuttering illiteracy
move into light
please
black boy with huge hands
wild in the moonlight
walking strong on the pleading faces”
he ran out the door
knife in hand
the howling night watching him go
going to get whoever hurt him
crying with fever
i called
“please
you have been owned
sold and replanted in metal gardens
then left to rust
you were once african and exotic
then when modern art was
discovered to be a farce
they looked to tear you down”
i follwed him
the cadence of his breath a locomotive
his skin was screaming
i said
“brotha
i know what it is
the cultural loneliness
to be the antithesis of beauty
to feign oblivion to scars
to be the formal joke of the city
to be alien and advertised as such
brotha
each step tonight shrinks possibility
only deeper night ahead
laughing death shirtless in the broad avenues”
i tried to use anything to turn him
people were stopping
watching him rant and run
mothers in shock remembering losing sons
men suddenly thrust back to injury
whole skies of infinite thunder rising and coming closer
minutes working down his life like acid
but he was fast looking for that man
it was war distilled into lava
a chant carmeling anger into heat
his muscles and mouth were taut
there was nothing open about him now
he turned and looked
he didn’t see me
his face was gone
eyes abandoned
he was all instinct
swinging and oblivious
a series of tied screams
bigger now than anything real
i said
“before you go into that place
wherever he is on what corner or shadow
before you call his name from the living
and hover there
cells spinning
the sky frenzied around you
before that deep silence drifts in the from the wharf
and dampens darkness and mutes the stars
consider next year or your children
think think think think think think think
brotha
you cannot be such heady turbulence
don’t be animal in sight of the available rhetoric
come home and we’ll talk
we’ll curse him together
we’ll hit the walls
then someday soon in the streets where he
languishes waiting on his uncashed checks
we’ll carry the day my friend
we’ll call him a
punk assed motherfucker
and move on”
Monday, January 21, 2008
black women are sweet
black women are sweet
will have your baby
and not ask to marry you
will put jordans on a credit card
celebrate your birthday in
in her section 8 basement apartment
bail you out of jail with
cosmetology school tuition money
defend your habits
your lack of commitment
lie to the police
black women are sweet
come to jailhouse visitson buses
get her makeup together in the parking lot
put welfare money on your books
and deliver messages from your homeboys
tattoo you on her breast
then hear some other chick speak you name
and swallow that hurt
claim you on these streets
call you strong and beautiful
kiss you through industrial glass
and because black women are sweet
and patient
with sweet names like cinnamon
peaches honey and chocolate
and have watched so many brothas
hurry toward death
for you are her son and her lover
and often her burden
when her late window lit
is the only exit from infinite night
and the last inbound train
harbors assassins who chant your name
when you arrive frightened and fractured
thank god sistuhs see past game
and read eyes and stars
loitering cars
and fresh scars
Saturday, September 8, 2007
losing marie paule
-downtown is thousands of
floors above us where
the sentinels meet at the cistern and
jigsaw blue
it is so new to you
everything here
even after a year of trains and bells
i still find you looking up
watching the scheduled squares of city sky
the partitioned sun falling down towers into sound
and being tired on busses
where common people stood still
in the clamor and dogma of the country’s machinery
refusing to create poems
and celebrate themselves
i love that about you
the way you feel about things
how jazz fascinates your fingers
george benson
the africanesque of his guitar and voice
made you come to my room
asking was he from senegal
you wanting to kiss me in the dining hall
but had been informed not
to be too forward with americans
you fall so easily
i love to catch you and
laugh strong in present tenses
and when you told me you loved me
the diplomat in you speaking for the
shy african girl
it was more real than pain
i was naked
like children in first sight of the elephants
but saturday
you are leaving
going home to your people and country
that news comes as
an errant voice in the loitering cacophony
an angry griot calling my sins
come here loud and dark
a tense face from famine
everywhere
the shirley horn trio is in slow blue samba
a stirring snare drum forecasting winter
expanding symbol like sheer rain
i cannot escape it
men are sad
women overworked and pious
children shoeless in rain
yet this small bit of denial has sustained me
i eat it slowly and stay with you
each night i listen to you breathe
each breath a small cloud gathering in coming winter
winter will be a lonely hand in an empty pocket
a season of ornate absences
a conversation ending in silences and snow flurries
three days until saturday
my journal is full of blue poems
on one page
i drew my own eyes
they tell me to catalog each moment
to linger everywhere we are together
rush to you and keep you
on the next page a sonnet
but i have never been good at metered verse
everything is against us
even literature
each car horn bellows it out
each door click letting go a notch wound to my wrist
but there are always planes somewhere leaving
always someone in a new liturgy of blues
returning to the city alone
walking into winter where the birds change color
the connections change
it’s the new vacancy in apartment # 12
it’s in the lone pot screaming from the neighbor’s stove
it’s in the empty busses at 1 am transferring spirits
it’s in the windows like night
and in the whites of my eyes
Thursday, August 23, 2007
his cigarette lights
his cigarette lights
morning comes across his hands
and he lingers at the light like a wildflower
long enough to be absent and abstract
someone three cars back
in the pell-mell hour
screams honks twice
jerks so hard the car whines and jostles
traffic finally moves
the 2nd car makes a right west
toward the sea and early sun
the sea is billowy and young
and not yet green
inflates the morning with sound
seagull struggles in the tempest
dives through the emptiness
a woman watching him go
that fast loses him in the loud blue
she secures her hat her dress
straining against her thighs and breasts
finds herself exposed
adjusts her mouth to see what the
next breath holds
the next breath stirs the young man
who meets the girl whose laughter is
as easy an elation as wearing new shoes
kisses her behind the oleanders at the pier
the cats catch him definitionless in the half sun
the cats are a spectrum of sun
and the pier is 12 miles long
a group of resolute men are going to the end
but won’t wait for me
i have so many things to gather
strewn about on the ground
and i am blinking blue
straining in the rising flashes of light
now citizen with no antecedent no story
coming into the wide port morning
my small cargo of wilting words
like static when the city rises
the transmissions etch incoherent
the translucent randomness
an echo of laughter
two strong seconds of song
one minute of tuning whine
and somewhere in a quarter hour of haze
an announcement in tagalog